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"The banjo had its first big site of growth in this country among the enslaved population in the Chesapeake Bay region, who were my ancestors," Blount says. Meet the musician teaching the banjo's ...
Melody to Yankee Doodle, on the banjo, without and with drone notes Play without ⓘ and with drone ⓘ.. Unlike most other solo music pieces played by various instruments, banjo music does not only consist of a melody, but it also utilizes drone notes to make the music seem like it is being played by more than one instrument.
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
John H. Lee (1847 – September 7, 1890) was the stage name for John D. Haley, an American banjoist, composer and author of the late 19th century. [2] [3] [4] He was known as a harmonist, writing lessons for playing harmony on the five-string banjo and employing "remarkeable fingering" to construct chords. [5]
Joel Sweeney. Joel Walker Sweeney (1810 – October 29, 1860), also known as Joe Sweeney, was an American musician and early blackface minstrel performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo.
The annual Banjo Collectors Gatherings also serve as the principal forums for the presentations of new research on the banjo's history and organology. Jatta's presentation, in which he performed on the akonting and showed film footage of other Jola musicians playing the instrument, made for quite a sensation.
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