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Frédéric Chopin's Waltz No. 19 in A minor, B. 150, WN 63, KK IVb/11, P. 2/11, is a waltz for solo piano. The waltz was written sometime between 1847 and 1849, [ 1 ] but was not published until 1860, after the composer's death, by Jacques Maho.
1955: Waltz in A minor (1843–1848), B. 150, KK IVb/11, P. 2/11, WN 63; ... and audio on demand of Chopin's solo keyboard works. PDF Sheet Music from the Mutopia Project
[2] [3] Written in brown iron gall ink on machine-made wove paper that is somewhat yellower and thicker than that of later sheet music, both are consistent with those used by Chopin. [ 1 ] [ 4 ] More particularly, the paper may be contrasted with that of Chopin's Warsaw scores, with their "greenish tint", corresponding instead to that of his ...
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
The unknown waltz was discovered in the vault of the Morgan Library and Museum in New York.
Frédéric Chopin's waltzes are pieces of moderate length for piano, all written between 1824 and 1849. They are all in waltz triple meter, specifically 3/4 (except Op. P1/13, which is in 3/8 time), but differ from earlier Viennese waltzes in not being intended for dancing; nonetheless, several have been used in ballets, most notably Les Sylphides.
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Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.
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