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The story of Lucretia was a popular moral tale in the later Middle Ages. Lucretia appears to Dante in the section of Limbo, reserved for the nobles of Rome and other "virtuous pagans", in Canto IV of the Inferno. Christine de Pizan used Lucretia, just as St. Augustine of Hippo did, in her City of Ladies, defending a woman's sanctity.
Lucius Junius Brutus (died c. 509 BC) [2] was the semi-legendary founder of the Roman Republic, and traditionally one of its first consuls in 509 BC. He was reputedly responsible for the expulsion of his uncle the Roman king Tarquinius Superbus after the suicide of Lucretia, which led to the overthrow of the Roman monarchy.
The gens Lucretia was a prominent family of the Roman Republic. Originally patrician , the gens later included a number of plebeian families. The Lucretii were one of the most ancient gentes, and the second wife of Numa Pompilius , the second King of Rome , was named Lucretia.
With his companions, they secretly visited each other's homes, and discovered all of the wives enjoying themselves, except for Lucretia, the wife of Collatinus, who was engaged in domestic activities. Lucretia received the princes graciously, and together her beauty and virtue kindled the flame of desire in Collatinus' cousin, Sextus Tarquinius ...
Valeria, the name of the women of the Valeria gens. Valeria, first priestess of Fortuna Muliebris in 488 BC [1]; Aemilia Tertia (с. 230 – 163 or 162 BC), wife of Scipio Africanus and mother of Cornelia (see below), noted for the unusual freedom given her by her husband, her enjoyment of luxuries, and her influence as role model for elite Roman women after the Second Punic War.
Tarquin and Lucretia by Titian. The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia.In his previous narrative poem, Venus and Adonis (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour".
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Most commonly, art depicted either the moment of the rape, or Lucretia is shown alone at the moment of her suicide. [6] In this near life-size late version, which Titian said in a letter of 1568 (three years before it was completed) was "an invention involving greater labour and artifice than anything, perhaps, that I have produced for many years", [7] the drama of the composition is ...