Search results
Results from the WOW.Com Content Network
Palendag. The palendag, also called Pulalu ( Manobo [1] and Mansaka ), Palandag ( Bagobo ), [2] Pulala ( Bukidnon) and Lumundeg ( Banuwaen) is a type of Philippine bamboo flute, the largest one used by the Maguindanaon, a smaller type of this instrument is called the Hulakteb (Bukidnon). [3] A lip-valley flute, it is considered the toughest of ...
Aerophones. Bulungudyong – vertical flute (Pinatubo Ayta) Diwas. Palendag – lip-valley flute (Kalinga) Tongali – nose flute (Kalinga) Tumpong – bamboo flute. Tulali – flute with 6 holes. Bansik – bamboo flute with three holes of the Negrito people in Zambales. Tambuli – Carabao horn.
The tumpong (also inci among the Maranao) is a type of Philippine bamboo flute used by the Maguindanaon, half the size of the largest bamboo flute, the palendag. A lip-valley flute like the palendag, the tumpong makes a sound when players blow through a bamboo reed placed on top of the instrument and the air stream produced is passed over an ...
Takumbo. Tongatong. Tumpong. Categories: Philippine music. Asian musical instruments by country. Musical instruments by country. Hidden category: Commons category link is on Wikidata.
The lower end of the flute has three fingerholes. The instrument is made from bamboo with its upper edge cut away obliquely from the backside and slightly from the front-side. The paldong is open at both ends, with a total of four fingerholes: three in front, and one at the back. The player's lower lip is placed against the cut away surface.
Kulintang (Indonesian: kolintang, [ 13 ] Malay: kulintangan[ 14 ]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have ...
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
The balungan (Javanese: skeleton,[2] frame) is sometimes called the "core melody " or, "skeletal melodic outline," [3] of a Javanese gamelan composition. This corresponds to the view that gamelan music is heterophonic: the balungan is then the melody which is being elaborated. "An abstraction of the inner melody felt by musicians," [4] the ...