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Enrique el Cojo taught for many years in a small studio on the side street, Espiritu Santo. Among his students were the famous dancers Lola Flores, Cristina Hoyos, Manuela Vargas, and Carmen Ledesma. Students came from as far away as Japan to study with him. [3] Enrique acted and danced in a film production La Carmen, directed by Julio Diamente ...
El Nuevo Cojo Ilustrado is an American online Spanish language magazine published from Los Angeles, California. It was founded in 2003 as a free alternative webzine published monthly from Harlem, New York. Originally it was an arts and opinion magazine focused exclusively on Venezuelan culture for Venezuelans living in the United States.
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Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
"La Calle" feat Juanes, is a rock song with also contains social criticism. "Bachata en Fukuoka" is a romantic bachata song. "Apaga y Vamonos" is a merengue song that contains social criticism and reflects about how the poverty, corruption and poor conditions had stayed the same. [8] "Son del Rey" is Christian song with an infectious Cuban son ...
Antonio Martín Escudero (Belvís de Monroy, Cáceres, 17 January 1895 - Bellver de Cerdanya, Lleida, 27 April 1937), also known as El Cojo de Málaga (The cripple of Malaga), was an anarchist syndicalist and militiaman.
José Juan Santesteban (San Sebastián, 26 March 1809 – San Sebastián, 13 January 1884 [1]) was a Basque composer, father of José Antonio Santesteban. In 1844 — 1879 he was organist in Santa Maria , Donostia.