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It carries the performance aspects of Shiva-worship through dance, performing art, visual art and music. The film is directed by Malcolm Leigh and main casting is done by the legendary Kutiyattam (2000-year-old Sanskrit Indian theatre tradition) artist and authority of Abhinaya (the classical Indian acting style) and Natya Shastra scholar ...
The Manifestation, a 2004 album by Six Organs of Admittance; Usage in different contexts: Positive manifestation: "She was able to manifest her dream due to the clarity in her mind and the purity in her heart." Neutral manifestation: "The recent heavy rainfall was a manifestation of the climate's changing patterns."
Trimbakeshwar town has a large number of Brahmin households and is also a centre for Vedic Gurukuls (kind of boarding school). It also has ashrams and Muths devoted to Ashtanga Yoga, the Hindu art of living. The existing temple was built out of basalt after it was commissioned by Peshwa Nanasaheb.
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 December 2024. Aniconic representation of the Hindu god Shiva "Linga" and "Shivling" redirect here. For other uses, see Linga (disambiguation) and Shivling (disambiguation). A lingam with tripundra, projected on a yoni base Part of a series on Shaivism Deities Parameshvara (Supreme being) Shiva ...
Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.
The Manifestation of God (Persian: مظهر ظهور, romanized: maẓhar ẓohūr) is a concept in the Baháʼí Faith that refers to what are commonly called prophets. The Manifestations of God are appearances of the Divine Spirit or Holy Spirit in a series of personages, and as such, they perfectly reflect the attributes of the divine into ...
Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to a novel representing the day in the life of several Dubliners". [1] The term 'representation' carries a range of meanings and interpretations.
Art schools teach people how to imitate the method of the masters, but they cannot teach the sincerity of emotion that is the propellant of great works. [55] In Tolstoy's words, "[n]o school can call up feelings in a man, and still less can it teach a man what is the essence of art: the manifestation of feeling in his own particular fashion". [55]