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A practical, non-cosmetic method for determining whether a Mark IIC is a C+ is the "Loop Test": [4] 1) Plug your guitar into the Effects-Return-jack 2) Switch to lead-mode 3) Turn the Lead Drive and Gain controls with a note ringing. 4) If they have NO effect on the volume and sound you have a “+”.
The main unit was a 2U with separate controls for each effect. There was a footpedal (M-181) that enabled the player to switch the different effects on and off, as well as changing the order of the distortion and equalizer effects, a master bypass as well as an effects loop.
An effects loop is a series of audio effects units, connected between two points of a signal path (the route that a signal would travel from the input to the output); usually between the pre-amp and power amp stages of an amplifier circuit, although occasionally between two pre-amp stages. The two principal uses of effects loops are in ...
Guitar feedback effects can be difficult to perform, because it is difficult to determine the sound volume and guitar position relative to a guitar amp's loudspeaker necessary for achieving the desired feedback sound. [112] [113] Guitar feedback effects are used in a number of rock genres, including psychedelic rock, heavy metal music and punk ...
Line 6 is a musical instrument and audio equipment manufacturer, best known as a pioneer in guitar amplifier and effect modeling. [1] [2] The company's products include guitar effects, modeling guitar amplifiers, software, electric guitars, and wireless systems.
The A12-50 combo was released in 1993. It is a two-channel (distortion and clean) 1x12 50-watt mono combo. It lacks the chorus and reverb of the other Rockman products, but provides an effects loop for using external effects. It is probably the most conventional of the Rockman guitar amplifiers.
The MT-2 sported a complex design for a distortion pedal, with a dual-stage gain circuit, seven filters for both pre- and post-distortion, and a semi-parametric three-band EQ section. The pedal's thick, saturated, tight tone [ 15 ] and the extreme sounds the pedal was able to produce thanks to its powerful EQ controls made the MT-2 divisive ...
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
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