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Aarachaar (Ārāccāṟ lit. ' Executioner '; transl. Hangwoman: Everyone Loves a Good Hanging) is a Malayalam novel written by K. R. Meera. [1] Originally serialised in Madhyamam Weekly in continuous 53 volumes, the novel was published as a book by DC Books in 2012.
Vayalar Ramavarma (25 March 1928 – 27 October 1975), also known as Vayalar, [1] was an Indian poet and lyricist of Malayalam language.He was known for his poems which include Sargasangeetham, Mulankaadu, Padamudrakal, Aayisha and Oru Judas janikkunnu and for around 1,300 songs he penned for 256 Malayalam films.
The Middle Malayalam (Madhyakaala Malayalam) was succeeded by Modern Malayalam (Aadhunika Malayalam) by 15th century CE. [26] The poem Krishnagatha written by Cherusseri Namboothiri, who was the court poet of the king Udaya Varman Kolathiri (1446 – 1475) of Kolathunadu, is written in modern Malayalam. [27]
Nalapat Balamani Amma (19 July 1909 – 29 September 2004) was an Indian poet who wrote in Malayalam. Amma (Mother), Muthassi (Grandmother), and Mazhuvinte Katha (The story of the Axe) are some of her well-known works. [1]
a public speech Sukumar Azhikode Speaks in Laloor.. Sukumar Azhikode, considered by many as the leading Malayalam literary critic after the era of Joseph Mundassery, M. P. Paul and Kuttikrishna Marar [9] and one of the greatest Malayalam orators, wrote a number of books on literary criticism, philosophy and social issues, [10] [11] [12] including Thatvamasi, [13] a treatise on Indian ...
The IRS boosted taxpayer services through Democrats’ Inflation Reduction Act but still faces processing claims from a coronavirus pandemic-era tax credit program and is slow to resolve certain ...
"Poovan Pazham" (Malayalam: പൂവൻപഴം; English: Poovan Banana) is a short story written by Vaikom Muhammad Basheer and published in 1948 in the collection Viddikalude Swargam (Fool's Paradise). It is one of the most popular of Basheer's stories.
Literature written in Hindi-Urdu was not common prior to the 1700s. [14] In North India, rich literary cultures existed in Awadhi and Brajbhasha, with earliest Awadhi texts dating to the 14th century. [15] In Delhi, poets wrote in Persian, while Rekhta/Hindvi (what is now recognizable as Hindi-Urdu) did not have the same literary recognition. [16]