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I am not there, I do not sleep. I am a thousand winds that blow; I am the diamond glints on the snow. I am the sunlight on ripened grain; I am the gentle autumn's rain. When you awaken in the morning's hush, I am the swift uplifting rush Of quiet birds in circled flight. I am the soft star that shines at night. Do not stand at my grave and cry ...
An 1887 illustration of Barton's last battle The death of Andrew Barton, illustrated in James Grant's British Battles on Land and Sea, 1873. Later in 1511, Andrew Barton was cruising the English coast looking for Portuguese prizes when he and his ships the Lion and Jenny Pirwyn were captured after a fierce battle with Sir Edward Howard and his brother Thomas Howard, 3rd Duke of Norfolk, off ...
Djuna Barnes (/ ˈ dʒ uː n ɑː / JOO-nah; June 12, 1892 – June 18, 1982) was an American artist, illustrator, journalist, and writer who is perhaps best known for her novel Nightwood (1936), a cult classic of lesbian fiction and an important work of modernist literature.
Instead of what is expected "we get: 'Forget me when I am dead – after all, someone might make fun of you.'" [25] Alternately, Pequigney believes "the answer [as to what the couplet means] depends on our mood as we read it." He maintains that "we learn more about ourselves when we interpret this poem than we do about its author." [26]
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
"I Am Stretched on Your Grave" is a translation of an anonymous 17th-century Irish poem titled "Táim sínte ar do thuama". [1] It was translated into English several times, most notably by Frank O'Connor .
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Eliot wrote "The Love Song of J. Alfred Prufrock" between February 1910 and July or August 1911. Shortly after arriving in England to attend Merton College, Oxford in 1914, Eliot was introduced to American expatriate poet Ezra Pound, who instantly deemed Eliot "worth watching" and aided the start of Eliot's career.