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The beads add extensive weight having some dresses weigh in at about 75 lbs. [5] Another coming of age event is the quinceañera, an event in Latin American cultures when a girl turns 15. Their gowns are often very brightly colored and resemble traditional ball gowns with very full ruffled or ruched skirts. [5]
Worth also created unique special-event pieces for his best clients, such as masquerade ball costumes and wedding dresses. Worth was known for preparing several designs for each season, which were then shown by live models. Clients would make their selections and have them made to their own measurements in his work rooms. [1]
The Electric Light dress was a masquerade gown made of gold and silver thread that was designed by Charles Frederick Worth for Alice Claypoole Vanderbilt. It was made for a masquerade ball that was held in New York City on March 26, 1883.
During the 1870s, [3] they hosted a costume ball at Marlborough House, their London residence, which was considered a success and carried on the popularity of such events. [2] [4] The Devonshires, who were close friends of the Prince and Princess of Wales, therefore, decided to throw a costume ball to celebrate Queen Victoria's diamond jubilee. [5]
A masquerade ball (or bal masqué) is a special kind of formal ball which many participants attend in costume wearing masks. (Compare the word "masque"—a formal written and sung court pageant.) Less formal "costume parties" may be a descendant of this tradition. A masquerade ball usually encompasses music and dancing.
Alice Vanderbilt dressed as "electric light" by Worth for the Vanderbilt fancy-dress ball of 1883. By the late 1880s, Worth had established characteristics of a modern couture house – twice annual seasonal collections and brand extensions through the franchising of patterns and fashion plates.
There was always a dress rehearsal beforehand. After the great Malkasten-Redoute, the gentlemen found their cheerful conclusion in the bowling alley. Through their masquerade, the guests were not limited to their role as spectators, but contributed significantly to the artistic framework and success of the event.
Ball gown designed by Jacques Doucet, 1898–1900, with characteristics of the aesthetic dress movement : simple in design, "yet extravagant by the choice of materials used. The sheer overlayer is enhanced by the solid lamé underlayers and a sense of luxury is added by the hidden lace flounce at the hem."
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