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In the CMYK model, it is the opposite: white is the natural color of the paper or other background, and black results from a full combination of colored inks. To save cost on ink, and to produce deeper black tones, unsaturated and dark colors are produced by using black ink instead of or in addition to combinations of cyan, magenta, and yellow.
Best Vendor Award from customers like Toyota Kirloskar Motors Ltd. (TKML) for Cost and from Maruti Udyog Ltd.(MUL) on overall commendation. [24] Awards for Marketing Initiatives like Cannes 2007 Bronze for Press Ad. [25] Reader's Digest Trusted Brands Gold Awards, 2008. [26] Product of the Year Award 2010 for Nerolac Excel April 2010. [27]
In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. [1]
However, standards are in place to maintain a level of quality in the industry. The ANSI Standards ASTM E903 and ASTM D1044-93 relate to the solar/UV transmission properties and abrasion resistance, respectively. The larger window film manufacturers use these standards to guarantee the quality of their raw materials and finished products.
Unlike window film, privacy glass is a pigment within the glass that is installed during the manufacturing process. There is no way to remove the tint from the glass except to replace the glass with untinted glass. The only alternative to getting the same benefits of window film is to install window film over the factory tint.
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Paint protection films use by the military has continued to the present day and 3M now makes a wide variety of aerospace and military films. [3] With time, however, the automobile industry began to take note of the protective benefits of PPF and it was soon being employed by race car drivers despite the difficulty of working with the original films.
Film tinting is the process of adding color to black-and-white film, usually by means of soaking the film in dye and staining the film emulsion.The effect is that all of the light shining through is filtered, so that what would be white light becomes light of some color.