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French verbs have a large number of simple (one-word) forms. These are composed of two distinct parts: the stem (or root, or radix), which indicates which verb it is, and the ending (inflection), which indicates the verb's tense (imperfect, present, future etc.) and mood and its subject's person (I, you, he/she etc.) and number, though many endings can correspond to multiple tense-mood-subject ...
Even though the passé simple is a common French verb tense, used even in books for very young French children, it is usually not taught to foreigners until advanced French classes. The passé simple is most often formed by dropping the last two letters off the infinitive form of the verb and adding the appropriate ending. The three main ...
The passé composé is formed by the auxiliary verb, usually the avoir auxiliary, followed by the past participle.The construction is parallel to that of the present perfect (there is no difference in French between perfect and non-perfect forms - although there is an important difference in usage between the perfect tense and the imperfect tense).
Aside from être and avoir (considered categories unto themselves), French verbs are traditionally [1] grouped into three conjugation classes (groupes): . The first conjugation class consists of all verbs with infinitives ending in -er, except for the irregular verb aller and (by some accounts) the irregular verbs envoyer and renvoyer; [2] the verbs in this conjugation, which together ...
The verb forms of French are the finite forms which are combinations of grammatical moods in various tenses and the non-finite forms. The moods are: indicative (indicatif), subjunctive (subjonctif), conditional (conditionnel) and imperative (impératif). There are simple (one-word) tenses and those constructed with an auxiliary verb.
French is an example of a language where, as in German, the simple morphological perfective past (passé simple) has mostly given way to a compound form (passé composé). Irish, a Celtic language, has past, present and future tenses (see Irish conjugation). The past contrasts perfective and imperfective aspect, and some verbs retain such a ...
French liaison and enchainement are essentially the same external sandhi process, where liaison represents the fixed, grammaticalized remnants of the phenomenon before the fall of final consonants, and enchainement is the regular, modern-day continuation of the phenomenon, operating after the fall of former final consonants. [5]
Exercises in Style (French: Exercices de style), written by Raymond Queneau, is a collection of 99 retellings of the same story, each in a different style.In each, the narrator gets on the "S" bus (now no. 84), witnesses an altercation between a man (a zazou) with a long neck and funny hat and another passenger, and then sees the same person two hours later at the Gare St-Lazare getting advice ...
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