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The expression "Rococo" is used for much European art throughout the 18th century, including works by the Italians Giovanni Battista Tiepolo, Canaletto and Francesco Guardi and the English Thomas Gainsborough, Joshua Reynolds and the furnituremaker Thomas Chippendale.
The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European [1] Renaissance, a word first used by the French historian Jules Michelet to define the artistic and cultural "rebirth" of Europe.
Art from this period shows influences from both the north of Europe (Dutch and Flemish schools) and from Roman painters of the Counter-Reformation. Artists in France frequently debated the merits between Peter Paul Rubens (the Flemish Baroque, voluptuous lines and colors) and Nicolas Poussin (rational control, proportion, Roman classicism).
The latter half of the 18th century continued to see French preeminence in Europe, particularly through the arts and sciences, and the French language was the lingua franca of the European courts. The French academic system continued to produce artists, but some, like Jean-Honoré Fragonard and Jean-Baptiste-Siméon Chardin , explored new and ...
19th-century French art was made in France or by French citizens during the following political regimes: Napoleon's Consulate (1799–1804) and Empire (1804–14), the Restoration (1814–30), the July Monarchy (1830–48), the Second Republic (1848–52), the Second Empire (1852–71), and the first decades of the Third Republic (1871–1940).
French art consists of the visual and plastic arts (including French architecture, woodwork, textiles, and ceramics) originating from the geographical area of France.Modern France was the main centre for the European art of the Upper Paleolithic, [citation needed] then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art.
The Musée d'Orsay has five paintings of the series on permanent display. [8] In 2018, the National Gallery in London exhibited five paintings of the series, together in a single room, for the duration of a temporary exhibition titled Monet & Architecture, devoted to Claude Monet's use of architecture as a means to structure and enliven his art ...
The forest was a popular landscape subject for nineteenth-century French artists, particularly the forest of Fontainebleau. Before Renoir, Claude Monet (1840–1926) painted Bazille and Camille (Study for "Déjeuner sur l'Herbe") (1865), showing a couple together in the forest. In 1869, Renoir and Monet spent time painting together at La ...