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44/876 is a collaborative album by English musician Sting and Jamaican musician Shaggy, also the thirteenth solo studio album. It was released on 20 April 2018 by A&M Records , Interscope Records and Cherrytree Records .
Shaun Pizzonia (born March 9, 1968), or Sting International, is an American musician, DJ, sound engineer, songwriter, and producer best known for his work with Jamaican musician Shaggy and English musician Sting. [1] [2] Pizzonia was well known for his knowledge across numerous genres, and is one of the most in-demand radio and club DJs. [3]
Sting and Shaggy on tour. January 2018 saw the release of "Don't Make Me Wait", the first single from a collaboration album with Sting, who invited him to tour along. The album, titled 44/876, was released on April 20, 2018. [26] In March 2018, the single "Why", featuring Massari, was released. [27]
On 2 July 2005, Sting performed at the Live 8 concert at Hyde Park, London, the follow-up to 1985's Live Aid. [64] In 1984, Sting sang a re-worded version of "Every Breath You Take", titled "Every Bomb You Make" for episode 12 of the first series of the British satirical puppet show Spitting Image. The video for the song shows the puppets of ...
The Voice is officially live!. The Top 8 contestants took the stage for the first live episode of Season 26, in which each hopeful sang twice: a solo performance and a special duet covering a ...
The tour began on 28 May 2019 at La Seine Musicale in Paris, France, and went on until 17 November 2019 at The Met in Philadelphia. [1] The tour was due to resume in 2020 with a (rescheduled) 8-date residency from 15 August to 2 September at Caesars Palace in Las Vegas [2] [3] but was postponed and rescheduled to August 2020 and then to 2021 due to the COVID-19 pandemic.
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The album features fifteen reworked versions of a selection of Sting's most widely recognised songs from across his career. Via his social media outlets, Sting described the new versions of the songs as being "reconstructed", "refitted" and "reframed", but "with a contemporary focus". [4]