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Hydraulic Press Channel (HPC) is a YouTube channel operated by Finnish workshop owner Lauri Vuohensilta. Launched in October 2015, the channel publishes videos of various objects being crushed in a hydraulic press , as well as occasional experiments using different devices.
Sarah McCreanor (born 2 August 1992), known professionally as "Smac" [2] [3] [4] and Hydraulic Press Girl, [2] is an Australian actor, dancer, comedian, and content creator. [2] She is known for her content series in which she moves her body to imitate objects being crushed in hydraulic presses. Among other activities, she has performed in ...
Mark Goffeney (May 22, 1969 – March 2, 2021) was an American musician from San Diego, California, [1] [2] known as "Big Toe" because, being born without arms, he played guitar with his feet. He was bassist and vocalist for the 'Big Toe' band and played the principal role on Fox Television 's Emmy -nominated commercial 'Feet'.
Here's a list of the best songs from the time, ranging from Toto to Michael Jackson. The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. ... The hair was big, and the bangs were ...
Big City Greens ("Big City Greens Main Title Theme") – The Mowgli's; ("Do it All Again") – The Houghton Brothers; Big Love ("God Only Knows") – Brian Wilson and Tony Asher (performed by The Beach Boys) Big Time Rush ("Big Time Rush Theme) - Big Time Rush; The Big Valley – George Duning; The Bill Cosby Show ("Hikky Burr") – Quincy ...
"Mr. Five by Five" is a 1942 popular song by Don Raye and Gene DePaul, that describes a heavyset man who is "five feet tall and five feet wide". The person highlighted by the song was Jimmy Rushing , the featured vocalist of Count Basie 's Orchestra from 1935 to 1948.
Megan Boni created an accidental earworm. On April 30, the 26-year-old New York-based TikToker sang a little ditty about searching for a wealthy, tall, blue-eyed Wall Street-type, then shared it ...
"Happy Feet" is a song with music by Milton Ager and lyrics by Jack Yellen, first published in 1930. It was originally introduced in the Universal Pictures revue film King of Jazz (1930), where it was performed by Paul Whiteman and his Orchestra with the Rhythm Boys .