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Note that the ears of the dog are visible today as pentimenti on the lady's sleeve. The painting was originally oil on panel, and was transferred to canvas during conservation work in 1934. It was in the course of this work that overpainting was removed, revealing the unicorn , and removing the wheel, cloak, and palm frond that had been added ...
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
A Virgin with a Unicorn was created for the decoration for Galleria Farnese under the direction of Annibale Carracci, who died a few years later after the piece was finished. [3] The fresco was painted over the entrance and above the southeast wall of Galleria Farnese, an art gallery of Carracci, constituting one of his vault and ceiling frescos.
The following other wikis use this file: Usage on ca.wikipedia.org Cabells rossos; Usage on de.wikipedia.org Einhorn; Dame mit dem Einhorn; Benutzer:Achim Raschka/Virtuelles Museum/Juni
The Unicorns is an 1880s oil-on-canvas painting by Gustave Moreau, now in the Musée national Gustave Moreau. [1]It is freely inspired by The Lady and the Unicorn tapestries in the musée de Cluny [2] Moreau spoke of the painting and its subject as "an enchanted island with a gathering of women, solely of women giving the most precious pretext for all patterns of plastic art".
The Lady and the Unicorn by Luca Longhi, portrait of Giulia Farnese. Luca Longhi (14 January 1507 – August 12, 1580) was an Italian painter of the late-Renaissance or Mannerist period, active in and near Ravenna, where he mainly produced religious paintings and portraits.
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After returning to the United States, she produced several large public art projects, most notably the fresco mural at the Mount Vernon Library in Mount Vernon, NY [3] based on a Goebelin tapestry, The Lady and the Unicorn. [4] The four panels were commissioned by the Federal Art Project and created between 1937 and 1938. [5]
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