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Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much: Comes after other terms; e.g. allegro ma non troppo ("not too joyful") Meno: less: Comes before other terms, such as meno mosso ("less moved/agitated") Subito: suddenly, quickly: Comes before or after other terms; e.g. subito fortissimo ...
Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Vibrato (Italian, from past participle of "vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch.It is used to add expression to vocal and instrumental music.
Tenuto is notated three ways: . The word tenuto written above the passage to be played tenuto.; The abbreviation ten. written above the note or passage to be played tenuto.; A horizontal line, roughly the length of a notehead, placed immediately above or below the note to be played tenuto.
Niente (Italian pronunciation:), also called quasi niente [ˈkwaːzi ˈnjɛnte], is a musical dynamic often used at the end of a piece to direct the performer to fade the music away to little more than a bare whisper, normally gradually with a diminuendo, [1] al niente. [2] It is often written as "n" or "ø".
For example, Scriabin's own performance of his "Poem", Op. 32, No. 1, transcribed from a piano-roll recording contains tempo deviations within . = 19/119, a span of 5.5 times. [31] Such tempo deviations are strictly prohibited, for example, in Bulgarian or Turkish music based on so-called additive rhythms with complex duration ratios, which can ...