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  2. Three Fantastic Dances - Wikipedia

    en.wikipedia.org/wiki/Three_Fantastic_Dances

    The Three Fantastic Dances (Russian: Три фантастических танца, romanized: Tri fantasticheskikh tantsa), Op. 5 [a] are a set of three piano pieces composed by Dmitri Shostakovich while he was a student at the Petrograd Conservatory.

  3. Op. 5 - Wikipedia

    en.wikipedia.org/wiki/Op._5

    In music, Op. 5 stands for Opus number 5. Compositions that are assigned this number include: Barber – The School for Scandal; Beach – Mass in E-flat; Beethoven – Cello Sonatas Nos. 1 and 2; Berlioz – Requiem; Brahms – Piano Sonata No. 3; Chausson – Viviane; Chopin – Rondo à la mazur; Corelli – Twelve Violin Sonatas, Op. 5

  4. Six Violin Sonatas, Op. 5 (Vivaldi) - Wikipedia

    en.wikipedia.org/wiki/Six_Violin_Sonatas,_Op._5...

    6 Sonatas, op.5. Antonio Vivaldi wrote a set of sonatas, Op. 5, in 1716.. Sonata No. 1 for violin and basso continuo in F Major, RV 18; Preludio; Corrente; Sarabanda; Giga; Sonata No. 2 for violin and basso continuo in A Major, RV 30

  5. Symphony No. 5 (Shostakovich) - Wikipedia

    en.wikipedia.org/wiki/Symphony_No._5_(Shostakovich)

    The Symphony No. 5 in D minor, Op. 47, by Dmitri Shostakovich is a work for orchestra composed between April and July 1937. Its first performance was on November 21, 1937, in Leningrad by the Leningrad Philharmonic Orchestra under Yevgeny Mravinsky .

  6. International education - Wikipedia

    en.wikipedia.org/wiki/International_education

    Education is a core aspect of the SDGs, and considered essential to their success. Hence, an international strategy has been established through the Incheon Declaration and Framework for Action. [21] This strategy emphasizes mobilizing national, regional, and global efforts and collaborations that aim at: [21]

  7. The Catastrophe of Success - Wikipedia

    en.wikipedia.org/wiki/The_Catastrophe_of_Success

    "The Catastrophe of Success" is an essay by Tennessee Williams about art and the artist's role in society. It is often included in paper editions of The Glass Menagerie. [1]A version of this essay first appeared in The New York Times, [1] November 30, 1947, four days before the opening of A Streetcar Named Desire (previously titled "The Poker Night").

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