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Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns.
Lockwood's black-and-white building at Chester Cross. The Black-and-white Revival was a mid-19th-century architectural movement that revived historical vernacular elements with timber framing. The wooden framing is painted black and the panels between the frames are painted white. The style was part of a wider Tudor Revival in 19th-century ...
Andy Behrens reveals his ideal six-player bench for a fantasy league of typical size and shape, made up of names available beyond the ADP top 115.
The Brahmin and the Butterfly was released by Méliès's Star Film Company and is listed as numbers 332–333 in its catalogues. Like many of Méliès's films, it was sold both in black-and-white and in a version hand-colored by the studio of Elisabeth Thuillier. [1]
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
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