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The Martin Band Instrument Company was a musical instrument manufacturer in Elkhart, Indiana.The firm produced band instruments, including trumpets, cornets, fluegelhorns, trombones, and saxophones from 1908 through the 1960s.
The Cadet model was a better-grade student instrument while the Three-Star was the least expensive. [6] They also produced many, many stencils marketed under other distributor's names, including Martin Handcraft metal clarinets. At the time Bettoney was making Martin's metal clarinets, Martin was making the saxophones sold under the H Bettoney ...
The Selmer Balanced Action saxophone was manufactured by Selmer from 1935 through 1947. It introduced a revolutionary new layout for the key table operating the G ♯ and low C ♯, B, and B ♠keys. The layout solved long-standing deficiencies in those mechanisms and all modern saxophones have left hand key tables derived from this ...
The most distinctive model from this period was the Vito Model 35, with a key system based on the Leblanc "system" design. During the mid-to-late 1960s Leblanc started sourcing saxophone parts from Yamaha for the Vito-Kenosha line, producing saxophones with both American and Japanese parts.
By the late 1950s, Buescher's production of professional-line saxophones was a small fraction of what it had been at the start of the decade. Buescher's presence in the professional saxophone market ended when it was acquired by the H&A Selmer Company in 1963, although a nominal "Buescher 400" model continued to be produced through the mid-1970s.
Bostic used a Beechler mouthpiece with a tenor saxophone reed on his Martin Committee model alto sax. Bostic was a master of the blues and he used this skill in a variety of musical settings. Although he recorded many commercial albums, some notable jazz-based exceptions on the King label include Bostic Rocks Hits of the Swing Age , Jazz As I ...
An American company based in Elkhart, Indiana named "Martin" manufactured saxophones with straight toneholes that were tapered, i.e. the circumference of the tone-hole chimneys was smaller at the point of contact with the leather pads than where they were soldered to the main body of the instrument.
The "Cigar Cutter" was preceded in the Super series by the New Largebore model and superseded by the Super, Radio Improved, and Jimmy Dorsey models. The latter were virtually identical except for the engraving. The bore design and tonal qualities of the Balanced Action, introduced in late 1935, were based on those of the Super series.
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