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Kemp is a brittle, weak fibre forming the residual traces of a secondary coat in some breeds of sheep, which may be mixed with normal fibres in a wool fleece. This hair is not desirable in a fleece, as it does not accept dye, minimizing both the quality and the value of the wool. Kemp fibre is also hollow, which is the reason it does not hold ...
Durability is the main advantage of metal furniture. For example, not many types of non-metal furniture can remain outside during winter and still look good when spring arrives. If cared for properly, metal furniture can last up to 30 years. Because most metal furniture is treated for rust and heat resistance, it does not need much maintenance.
Steel wool burning in air. Steel wool is commonly used by woodworkers, metal craftsmen, and jewelers to clean and smooth working surfaces and give them shine. [3] However, when used on oak, remaining traces of iron may react with tannins in the wood to produce blue or black iron stain, and when used on aluminum, brass, or other non-ferrous metal surfaces may cause after-rust which will dull ...
Mockado is a woollen pile fabric made in imitation of silk velvet. [18] [19] [20] modal Modal is a cellulose fiber made by spinning reconstituted cellulose from beech trees. mohair Mohair is a silk-like fabric made from the hair of the Angora goat. It is durable, light and warm, although some people find it uncomfortably itchy. mungo
Kinds of wood were not the only materials in Sumeria. Felt, rushes, leather, skin, and wool were used to make materials such as padding and rugs. Metals such as bronze, copper, silver, and gold had many uses in Sumeria. They could be used for inlaying. Sometimes metals would be used to make rings for furniture legs. [5]
The Weymann system comprises an ultra-light wood framework with special metal joints so that timber does not touch timber. Small metal panels are inserted between the fabric and the framework to make rounded external corners. Straining wires are fitted to hold the doors in shape when they are stressed by acceleration or bumps.
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. [2] Such techniques have been very widely used in a great number of cultures.
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