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The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam.
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
Study skins of Garrulus glandarius in Museum für Naturkunde, Berlin. Bird and mammal specimens are conserved as dry study skins, a form of taxidermy. [1] The skin is removed from the animal's carcass, treated with absorbents, and filled with cotton or polyester batting (In the past plant fibres or sawdust were used).
The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [ 1 ] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [ 2 ]
There have been attempts to categorise taxidermy in both artistic and scientific terms for over a century. An 1896 review of Montagu Browne’s Artistic and Scientific Taxidermy and Modelling notes that “Any work which will aid in more clearly defining the difference between the art of taxidermy and the trade of taxidermy is to be welcomed.” [1] Stephen T. Asma suggests that natural ...
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Carl Ethan Akeley (May 19, 1864 – November 17, 1926) was a pioneering American taxidermist, sculptor, biologist, conservationist, inventor, and nature photographer, noted for his contributions to American museums, most notably to the Milwaukee Public Museum, Field Museum of Natural History and the American Museum of Natural History.
Edwin H. Ward worked for a while on Oxford Street for Thomas Mutlow Williams who exhibited at the Great Exhibition of 1851. He then set up his own taxidermy shop in 1857 and received a royal warrant from Queen Victoria in 1870. Other distantly related Ward family members had taxidermy-related businesses as far away as New York and Australia.