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Formalism (art) In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content ...
According to Clement Greenberg, who helped popularize the term, medium specificity holds that "the unique and proper area of competence" for a form of art corresponds with the ability of an artist to manipulate those features that are "unique to the nature" of a particular medium. [2] For example, in painting, literal flatness and abstraction ...
Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.
Representation (arts) Representation is the use of signs that stand in for and take the place of something else. [1] It is through representation that people organize the world and reality through the act of naming its elements. [1] Signs are arranged in order to form semantic constructions and express relations.
Impressionism (literature) Literary Impressionism is influenced by the European Impressionist art movement; as such, many writers adopted a style that relied on associations. The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist ...
In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" [1] or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". [2] Style refers to the visual appearance of a work of art that relates to other ...
Style and Medium in the Motion Pictures. Style and Medium in the Motion Pictures is a 1936 essay by the art historian Erwin Panofsky. In the essay, Panofsky "seeks to describe the visual symptoms endemic" to the medium of film. [1] Originally given as an informal talk in 1934 to a group of Princeton University students in the process of ...
A "derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted.