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Beaulieu Vineyard (BV for labelling purposes) is a winery near Rutherford, California, belonging to the appellation Rutherford AVA. It was established by Georges de Latour and his wife Fernande in 1900.
Georges de La Tour (13 March 1593 – 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648.
In 1938, Beaulieu Vineyards (BV) founder and owner Georges de Latour visited France in search of a new winemaker who had a cosmopolitan and scientific background. He was introduced to Tchelistcheff at the French National Agronomy Institute where Andre was working, along with research he was doing at the Pasteur Institute. [1]
Magdalene with Two Flames or The Penitent Magdalene is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour.In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs.
Job Mocked by his Wife is an oil-on-canvas painting by the French artist Georges de La Tour, produced at an unknown date between 1620 and 1650.It depicts a scene from the Old Testament in which Job, a once rich and influential man who in a short space of time lost his children, his possessions and his health but not his piety, is being chided by his wife for maintaining his faith and urged to ...
“An Introduction to the Life and Art of Georges de La Tour,” in Philip Conisbee (ed.), Georges de La Tour and His World, exhibition catalogue Washington, DC, National Gallery of Art; Fort Worth, Kimbell Art Museum 1996, pp.13-147. Judovitz, Dalia. Georges de La Tour and the Enigma of the Visible, New York, Fordham University Press, 2018.
The Newborn Child is an oil-on-canvas painting created c. 1645–1648 by the French painter Georges de La Tour, now in the Museum of Fine Arts of Rennes in France. It is sometimes thought to be a representation of the Madonna and Child (with the left-hand woman as St Anne) in the form of a genre scene – it is thus also known as The Nativity.
“An Introduction to the Life and Art of Georges de La Tour,” in Philip Conisbee (ed.), Georges de La Tour and His World, exhibition catalogue Washington, DC, National Gallery of Art; Fort Worth, Kimbell Art Museum 1996, pp. 13–147. Judovitz, Dalia. Georges de La Tour and the Enigma of the Visible, New York, Fordham University Press, 2018.