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Depth perception arises from a variety of depth cues. These are typically classified into binocular cues and monocular cues. Binocular cues are based on the receipt of sensory information in three dimensions from both eyes and monocular cues can be observed with just one eye.
Monocular cues can be used by a single eye with hints from the environment. These hints include relative height, relative size, linear perspective, lights and shadows, and relative motion. [ 15 ] Each hint helps to establish small facts about a scene that work together to form a perception of depth.
A cue is some organization of the data present in the signal which allows for meaningful extrapolation. For example, sensory cues include visual cues, auditory cues, haptic cues, olfactory cues and environmental cues. Sensory cues are a fundamental part of theories of perception, especially theories of appearance (how things look).
The Ponzo illusion is an example of an illusion which uses monocular cues of depth perception to fool the eye. But even with two-dimensional images, the brain exaggerates vertical distances when compared with horizontal distances, as in the vertical–horizontal illusion where the two lines are exactly the same length.
There are indications that the brain uses various cues, in particular temporal changes in disparity as well as monocular velocity ratios, for producing a sensation of motion in depth. [15] Two different binocular cues of the perception motion in depth are hypothesized: Inter-ocular velocity difference (IOVD) and changing disparity (CD) over time.
From static cues based upon monocular vision, infants older of five month of age have the ability to predict depth perception from pictorial position of objects. [21] In other words, edges of closer objects overlap objects in the distance. [22] Lastly, kinetic cues are another factor in depth perception for humans, especially young infants.
Examples of visually ambiguous patterns. From top to bottom: Necker cube, Schroeder stairs and a figure that can be interpreted as black or white arrows. Multistable perception (or bistable perception) is a perceptual phenomenon in which an observer experiences an unpredictable sequence of spontaneous subjective changes.
In film, photography and art, perceived object distance is manipulated by altering fundamental monocular cues used to discern the depth of an object in the scene such as aerial perspective, blurring, relative size and lighting. [12] Using these monocular cues in concert with angular size, the eyes can perceive the distance of an object. Artists ...