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Puru fled to Taiwan after the Chinese Communist Party came to power, and was appointed by Chiang Kai-shek as a Manchu representative at the National Constituent Assembly. In Taiwan, he made a living selling paintings and calligraphy, teaching as a professor of fine arts at the National Taiwan Normal University, and eventually dying in Taipei.
Download QR code; Print/export Download as PDF; ... Pages in category "Chinese paintings" The following 35 pages are in this category, out of 35 total.
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
Wang Ximeng (Chinese: 王希孟; pinyin: Wáng Xīmèng', 1096–1119) was a Chinese painter during the Northern Song period, in the early twelfth century. A prodigy , [ 1 ] Wang was a student at the imperial court's school of paintings, where he was noticed by Emperor Huizong of Song , who saw Wang's talent and personally taught him.
The Water and Land Ritual paintings (水陆画) are a style of traditional Chinese painting based on religious or Chinese mythological subjects. The paintings are mainly intricate portraits of deities, historical figures, and the contrasting lives of common people and tragedies, in an ornate style with rich use of vivid colors and patterns. The ...
Download QR code; Print/export Download as PDF; Printable version; ... Pages in category "Chinese painting" The following 46 pages are in this category, out of 46 total.
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Six Persimmons (Chinese: 六柿圖; pinyin: liùshì tú) is a 13th-century Chinese painting by the monk Muqi Fachang. It was painted during the Song dynasty. Muqi was one of the two great exponents of the spontaneous mode of Chinese painting (the other being Liang Kai). It features six persimmons on an undefined background. It is painted in ...