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Casa Batlló (Catalan pronunciation: [ˈkazə βəˈʎːo] ⓘ) is a building in the center of Barcelona, Spain. It was designed by Antoni Gaudí , and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí (but the actual construction works hadn’t begun at this point) and has been ...
Casa Mila; Casa Vicens; Nativity Façade and Crypt of the Sagrada Familia * Other parts of the Sagrada Familia, including the Sagrada Família Schools, are included in the buffer zone of the 5th part of the WHS site. Casa Batlló; Crypt at the Colònia Güell Buffer zone includes part of the Colònia Güell and the Torre Salvana
For the floors of Casa Milà, Gaudí used a model of floor forms of square timbers with two colors, and the hydraulic pavement hexagonal pieces of blue and sea motifs that had originally been designed for the Batllo house. The wax was designed in gray by John Bertrand under the supervision of Gaudí who "touched up with their own fingers," in ...
The Confidant from Casa Batlló, also known as the Double Sofa or Banc de dues places (Two-seater bench), is a furniture piece designed by Antoni Gaudí.Originally designed for the dining room of Casa Batlló on Barcelona's Passeig de Gràcia, [1] the chair is currently exhibited in the Modern Art collection of the Museu Nacional d'Art de Catalunya and at Gaudí House Museum in Barcelona.
Casa Amatller (Catalan pronunciation: [ˈkazə əməˈʎːe]) is a building in the Modernisme style in Barcelona, Catalunya, Spain, designed by renowned Catalan architect Josep Puig i Cadafalch. Along with Casa Batlló and Casa Lleó-Morera , it makes up the three most important buildings in Barcelona's famous Illa de la Discòrdia ("Block of ...
A virtually unknown work by Gaudí is the Casa Clapés (1899–1900), at 125 Carrer Escorial, commissioned by painter Aleix Clapés, who collaborated on occasion with Gaudí, such as in decorating the Palau Güell and the Casa Milà. It has a ground floor and three apartments, with stuccoed walls and cast-iron balconies.
The concept Gaudí had of the family home – which was reflected in Casa Vicens – is captured in an unpublished article he wrote in 1881, entitled The Manor House (Catalan: La casa pairal). He writes, ‘The house is the small family nation. The family, like the nation, has history, foreign relations, changes of government, and so on.
Carved wooden images were a fundamental element in churches as objects of veneration within the Catholic Church. One of the most elaborate types in Catalonia was the Christ in Majesty , images of Christ on the Cross that symbolize his triumph over death, of which the most outstanding is the Batlló Majesty.