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The book is an attempt to chart the history of industrial music as a genre from its early influences (including art music, Italian Futurism, Situationism, and the works of Antonin Artaud and William S. Burroughs) to the present day (including its connections to political radicalism, the gothic subculture, and dance music).
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. [1] The leading European music scholar of his time, [1] he was active and influential as both a music theorist and music historian. [2]
Richard Grayson was born in New York on March 25, 1941. [1] [2] He received his PhD in composition from UCLA in 1969—only the third person to receive a UCLA music Ph.D., after Michael Zearott and Edward Applebaum [3] —and in the same year joined the music faculty of Occidental College, where he taught until his retirement in 2001.
Robert M. Greenberg (born April 18, 1954 [1]) is an American composer, pianist, and musicologist who was born in Brooklyn, New York.He has composed more than 50 works for a variety of instruments and voices, and has recorded a number of lecture series on music history and music appreciation for The Great Courses.
[n 1] But this medieval discipline became the basis for tuning systems in later centuries and is generally included in modern scholarship on the history of music theory. [n 2] Music theory as a practical discipline encompasses the methods and concepts that composers and other musicians use in creating and performing music.
Bloomingdale School of Music (BSM) is a non-profit community music school on the Upper West Side of New York City, in the neighborhood historically known as the Bloomingdale District. It is housed in a five-story, 102-year-old brownstone and was founded in 1964, by David D. Greer, organist and choirmaster of the West End Presbyterian Church.
David Benjamin Lewin (July 2, 1933 – May 5, 2003) was an American music theorist, music critic and composer.Called "the most original and far-ranging theorist of his generation", [1] he did his most influential theoretical work on the development of transformational theory, which involves the application of mathematical group theory to music.
Timothy L. Jackson (born 1958) is an American professor of music theory who has spent most of his career at the University of North Texas and specializes in music of the eighteenth through twentieth centuries, Schenkerian theory, politics and music. He is the co-founder of the Journal of Schenkerian Studies.