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Rather, it is a precise set of symptoms surrounding the loss that define it as such. [2] There are a variety of factors that define a death as tragic. An event in which a massive number of deaths occur may be seen as a tragedy. This can be re-enforced by media attention or other public outcry. [3] A tragedy does not necessarily involve massive ...
Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. The advent of the domestic tragedy ushered in the first phase shift of the genre focusing less on the Aristotelian definition of the genre and more on the definition of tragedy on the scale of the ...
The origin of the word tragedy has been a matter of discussion from ancient times. The primary source of knowledge on the question is the Poetics of Aristotle.Aristotle was able to gather first-hand documentation from theater performance in Attica, which is inaccessible to scholars today.
^Buckham, p. 108: "The honour of introducing Tragedy in its later acceptation was reserved for a scholar of Thespis in 511 BC, Polyphradmon's son, Phrynichus; he dropped the light and ludicrous cast of the original drama and dismissing Bacchus and the Satyrs formed his plays from the more grave and elevated events recorded in mythology and history of his country."
Carroll Quigley (/ ˈ k w ɪ ɡ l i /; November 9, 1910 – January 3, 1977) was an American historian and theorist of the evolution of civilizations.He is remembered for his teaching work as a professor at Georgetown University, and his seminal works, The Evolution of Civilizations: An Introduction to Historical Analysis, and Tragedy And Hope; A History Of The World In Our Time, in which he ...
The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
Tragedy, then is a process of imitating an action which has serious implications, is complete, and possesses magnitude. [17]... A poetic imitation, then, ought to be unified in the same way as a single imitation in any other mimetic field, by having a single object: since the plot is an imitation of an action, the latter ought to be both ...