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Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society. Oxford, 2000. ISBN 1-900755-09-2. Mary Rogers, Paola Tinagli. Women in Italy, 1350—1650 ...
Margherita Caffi (Milan 1650/51 - 1710) from Dr. Jeffrey Lant Collection Margherita Caffi (1650 – 20 September 1710) was an Italian painter of still lifes of flowers and fruit. She was born Margherita Volo, in Milan to Francesco Volo (a still-life painter himself) and his wife, Veronica.
Angiolo Achini (1850–1930) Pietro Adami (c. 1730) Eugenio Agneni (1816–1879) Livio Agresti (1508–1580) Giorgio Matteo Aicardi (1891–1985) Francesco Albani (1578–1660) Giacomo Albé (1829–1893) Giacomo Alberelli (1600–1650) Mariotto Albertinelli (1474–1515) Pietro Antoniani (c. 1740–1805) Ambrogio Antonio Alciati (1878–1929)
The history of early modern Italy roughly corresponds to the period from the Renaissance to the Congress of Vienna in 1814. The following period was characterized by political and social unrest which then led to the unification of Italy, which culminated in 1861 with the proclamation of the Kingdom of Italy.
Women in Italy refers to women who are from (or reside in) Italy. The legal and social status of Italian women has undergone rapid transformations and changes during the past decades. This includes family laws, the enactment of anti-discrimination measures, and reforms to the penal code (in particular with regard to crimes of violence against ...
Women in Italian Renaissance Culture and Society. Oxford, 2000. ... Women in Italy, 1350–1650. Rosenthal, Margaret F. The Honest Courtesan: Veronica Franco, Citizen ...
Margherita Caffi (1650–1710), flower painter Maria Callani (1778–1803), 18th century portrait painter, active in Parma . Suor Prudenza Cambi (died 1601), painter and nun
Margherita Costa (c. 1600 – after 1657), was an operatic soprano, [1] poet, playwright and feminist, is the most Baroque of the seventeenth-century Italian women writers and stands out for her original style and themes. As a poet, she employs a variety of genres, using humor and irony to criticize prevailing attitudes towards women and to ...