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Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression.
The English verb rap has various meanings; these include "to strike, especially with a quick, smart, or light blow", [20] as well "to utter sharply or vigorously: to rap out a command". [20] The Shorter Oxford English Dictionary gives a date of 1541 for the first recorded use of the word with the meaning "to utter (esp. an oath) sharply ...
Multisyllabic rapping is mostly included hardcore, gangsta or mafioso rap and is rarely included in mainstream hip-hop music. Examples of multisyllabic rhymes being included in mainstream hip-hop music include rapper AZ 's 1995 single " Sugar Hill ", Big Pun 's 1997 single " Still Not a Player ", and Cuban Link 's " Sugar Daddy " single from 2005.
[31] This play and two other later sources are mentioned as an entry "Hip-hop" in a multi-volume dictionary from 1901 called A New English Dictionary on Historical Principles, in Volume 5 H to K, on page 296; [32] the definition is this dictionary is: "Hip-hop, adv. [v. hip + hop v.; or re-duplication of hop, with alternation of lighter and ...
In the book How to Rap, Big Daddy Kane and Myka 9 note that originally a freestyle was a spit on no particular subject – Big Daddy Kane said, "in the '80s, when we said we wrote a freestyle rap, that meant that it was a rhyme that you wrote that was free of style... it's basically a rhyme just bragging about yourself."
The first group to rap at high speeds on record were the Treacherous Three with the release of "New Rap Language" in 1980. [10] [14] Throughout the lyrics of the song, member Kool Moe Dee is referred to as the originator of the fast style: For MCs who bite. The fast-talking rhymes They're gonna feast So get ready to eat Moe Dee's the originator
Researchers have estimated about 500 cases over the last 30 years have used rap lyrics against their artists on trial. Erik Nielson is one of the researchers who published that figure.
Pettie stated that the transcription of rap lyrics does not make for an effective presentation as the rhythm of the music is not represented. [4] He also argued against the book's notion that rap lyrics function as poetry since "if placed alongside the English literary canon, rap lyrics aren’t especially complex or challenging."