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The dye technique is associated with several Malian ethnic groups, but the Bamana version has become best known outside Mali. In the Bambara language, the word bògòlanfini is a composite of bɔgɔ, meaning "earth" or "mud"; lan, meaning "with" or "by means of"; and fini, meaning "cloth". [4]
Diarra is a textile artist known for her bògòlanfini, or mud cloth. While the popularity of mudcloth and the international market for it has led to a simplification of traditional techniques in pursuit of mass production, even among artisans, Diarra works in the traditional Beledougou style, which is distinct from the mud-cloth traditions of the Dogon people in Mali and from mud-cloth ...
Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, [1] korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric.
Groupe Bogolan Kasobané is an artist collective from Mali, West Africa with a studio in Bamako and a gallery in Ségou. [1] Innovators and pioneers in the bogolan fine arts movement, [2] the Groupe traveled throughout Mali, researching the bogolan traditions and practices, including the symbolic alphabet, as well as the traditional structure, uses, and colors encoded in bogolan cloths.
Kuba Raffia cloth, made by the Kuba of present-day Democratic Republic of Congo Contemporary West African textile designs. African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes.
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
Before the pigments are applied, the walls are first sized using laterite (aja upa), a mud slip that fills in cracks in the wall. The surface is then further burnished using fine pebbles (mkpulu nwko). A final layer of primer, a red mud slip, is then applied to the wall in order to create a three-dimensional surface to work on.
The cloth's basic shape became that of two pieces of shirting material stitched together to create a woman's wrapper cloth. [8] New techniques of resist dyeing developed. The tradition of indigo dyeing goes back centuries in West Africa. The earliest known example is a cap from the Dogon kingdom in Mali dating to the 11th century, dyed in the ...
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