Search results
Results from the WOW.Com Content Network
Established in 1965, FILSCAP is the Philippines’ sole collective management organization. It administers and manages so-called “economic rights” for some composers. FILSCAP's mission statement is to provide a “consistent income stream” for its members through, creative licensing, collection, distribution of performance, mechanical ...
Ramón Pagayon Santos (born 25 February 1941) is a Filipino composer, ethnomusicologist, and educator known for being the Philippines' foremost living exponent of contemporary Filipino classical music, [1] [2] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions," [2] and for finding new uses of indigenous Philippine instruments.
Music education in the Philippines (1 C, 1 P) O. OPM formatted radio stations in the Philippines (105 P) P. Philippine songs (12 C, 8 P) S. Philippine styles of music ...
Nicanor Abelardo was born in San Miguel de Mayumo, Bulacan to Valentin Abelardo and Placida Santa Ana, on February 7, 1893 [1] His mother belonged to a family of artists in Guagua, the Henson. He was introduced to music when he was five years old when his father taught him solfeggio, the bandurria, and the guitar at 6. His quick mastery of the ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
While at Yale University he conducted the Yale Contemporary Ensemble, considered one of the leading performing groups in America for contemporary and avant-garde music. [3] His teachers in conducting were Arthur Weisberg and Martin Behrmann , while he studied composition under Jacob Druckman , Isang Yun , H.W. Zimmerman and Krzysztof Penderecki .
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music.
Buenaventura's music was influenced by different ethnic Philippine folksongs. In 1935, he joined Francisca Reyes-Aquino in researching Philippine folksongs and dances. [ 5 ] In 1936 he composed the accompaniment to the folk dance " Pandanggo sa Ilaw" and incorporated ethnic melodies and instruments to some of his compositions.