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George Bryan "Beau" Brummell (7 June 1778 – 30 March 1840) [1] was an important figure in Regency England, and for many years he was the arbiter of British men's fashion.At one time, he was a close friend of the Prince Regent, the future King George IV, but after the two quarrelled and Brummell got into debt, he had to take refuge in France.
A Dandy is a Clothes-wearing Man, a Man whose trade, office, and existence consists in the wearing of Clothes. Every faculty of his soul, spirit, purse, and person is heroically consecrated to this one object, the wearing of Clothes wisely and well: so that as others dress to live, he lives to dress. . . .
The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of fashion" [2] in terms of high-end clothing, fastidious eating, and gambling. He mixed Continental affectations with his British nature, like a practitioner of macaronic verse (which mixed English and Latin to comic effect), laying himself open to satire.
A man's suit of clothes, in the sense of a lounge, office, business, dinner or dress suit, is a set of garments which are crafted from the same cloth. This article discusses the history of the lounge suit, often called a business suit when featuring dark colors and a conservative cut.
Fop was a pejorative term for a man excessively concerned with his appearance and clothes in 17th-century England. Some of the many similar alternative terms are: coxcomb, [1] fribble, popinjay (meaning 'parrot'), dandy, fashion-monger, and ninny. Macaroni was another term of the 18th century more specifically concerned with fashion.
Many contemporary cartoonists of the time poked fun at the repressed nature of the tightlaced gentlemen, although the style grew in popularity nonetheless. This was the case especially amidst middle-class men, who often used their wardrobe to promote themselves, at least in their minds, to a higher class — hence the dandy was born.
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A Directoire dandy in 1797, by Girodet; Portrait of Jean-Baptiste Belley, Deputy for Saint-Domingue. This gentleman wears a double-breasted frockcoat in dark blue over a buff waistcoat. His gray trousers have straps under his shoes. His slightly conical tall hat sits in the windowsill, Germany, c. 1815 (by Georg Friedrich Kersting).
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