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Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat.Seurat's most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. [1]
A Sunday Afternoon on the Island of La Grande Jatte, 1884–1886, oil on canvas, 207.5 × 308.1 cm, Art Institute of Chicago. In summer 1884, Seurat began work on A Sunday Afternoon on the Island of La Grande Jatte. The painting shows members of each of the social classes participating in various park activities.
Divisionism, along with the Neo-Impressionism movement as a whole, found its beginnings in Georges Seurat's masterpiece, A Sunday Afternoon on the Island of La Grande Jatte. Seurat had received classical training at the École des Beaux-Arts, and, as such, his initial works reflected the Barbizon style.
Models is a notable example of Pointillism, which refers to painting through a series of colored dots that together make up an image. [4]In an article written by Norma Broude in the Art Bulletin, she compares Pointillism to photo printing in the 1880s France.
Final study for La Grande Jatte [83] Metropolitan Museum of Art, New York City 141 70.5 × 104.1 More images: 1884 to 1886 A Sunday Afternoon on the Island of La Grande Jatte [84] Art Institute of Chicago 142 207.5 × 308.1 More images: 1884 to 1885 La Luzerne, Saint-Denis [85] Scottish National Gallery, Edinburgh 145 65.3 × 81.3 More images ...
It was inspired by the French pointillist painter Georges Seurat's painting A Sunday Afternoon on the Island of La Grande Jatte (painted, 1884–1886). The plot revolves around George, a fictionalized version of Seurat, who immerses himself deeply in painting his masterpiece, and his great-grandson (also named George), a conflicted and cynical ...
In that time, he went on to promote the works of Seurat and Signac through the magazine. He organized the first retrospective of Seurat's work in 1900. [2] Seurat is known for a number of works, most significantly A Sunday Afternoon on the Island of La Grande Jatte (French: Un dimanche après-midi à l'Île de la Grande Jatte).