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A meander or meandros [1] (Greek: Μαίανδρος) is a decorative border constructed from a continuous line, shaped into a repeated motif. Among some Italians, these patterns are known as "Greek Lines".
The late Romanesque tympanum of Vézelay Abbey, Burgundy, France, 1130s. A tympanum (pl.: tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. [1]
The roofing area was generally surrounded by antefixae, which were often decorated and had several decorative anthemia to cover each end row imbrex. The concept of imbrex and tegula roofing in pitched roof construction is still in use today as an international feature of style and design, and is the origin of the term imbrication for the ...
A building's surface detailing, inside and outside, often includes decorative moulding, and these often contain ogee-shaped profiles—consisting (from low to high) of a concave arc flowing into a convex arc, with vertical ends; if the lower curve is convex and higher one concave, this is known as a Roman ogee, although frequently the terms are used interchangeably and for a variety of other ...
Blind arcading is used as a major decorative feature, often around internal walls. [19] Windows are comparatively large and may be arranged in tiers as in the transepts of Peterborough Cathedral. Paired windows occur in towers. [18] Naves of cathedrals and abbey churches are of great length, and transepts are of strong projection. [13] [14]
The term pōmērium is a classical contraction of the Latin phrase post moerium (lit. ' behind/beyond the wall ').The Roman historian Livy writes in his Ab Urbe Condita that, although the etymology implies a meaning referring to a single side of the wall, the pomerium was originally an area of ground on both sides of city walls.
Roman fresco with a banquet scene from the Casa dei Casti Amanti, Pompeii The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting.They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
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