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Iraj Bashiri's translation gives us the English equivalent: [3] As Abdolali Dastgheib, literary critic writer puts it: Mehdi Akhavan-Sales benefitted from ancient treasures of Persian literature and was able to skillfully combine the old, traditional style with modern or even, everyday words to create some of the best works of Iranian poetry ...
Saif Farghani (Persian: سیف فرغانی, in full, Moulānā Sayfoddin Mohammad Farqānī, مولانا سیفالدین محمد فرغانی) was a 13th-14th century Persian poet. He was born in Farghāneh , a city in Transoxiana and died in 1348 (749 Hijri ) in Aqsara in modern-day Turkey.
The Middle Persian work survives only as a translation into Syriac and two centuries later into Arabic by Ibn al-Muqaffa. the Letter of Tansar , a rationale for Ardashir's seizure of the throne. The letter was translated into Arabic in the 9th century by Ibn al-Muqaffa , and from Arabic into New Persian in the 13th century History of Tabaristan ...
Post Modern Persian poetry. In 1990s a progressive evolution called Postmodern Ghazal begun in the Persian poetry leading to the modern poetry that changed the balancing principle of rhythm and rhyme of the traditional Persian poetry, as did in the Free Verse poetry following the rhythm of natural speech. Now, the center of the attention was ...
His poetry is believed to have strong influences across Afghanistan, Iran, Turan an India. Gani Kashmiri is known for his Persian poetry that reflects the rich cultural and intellectual heritage of Kashmir. While not directly political, his work is seen as a testament to Kashmiri identity and resilience during times of external domination.
The language of the poem is significantly older than the 14th century, and even has Parthian language words, phrases and grammatical usages scattered through it. [4] The manuscript came to the attention of western scholarship following Wilhelm Geiger's report of the MK collection and the translation of the text in question in 1890.
Nizami gave a Persian character [27] to the poem by adding several techniques borrowed from the Persian epic tradition, such as the portrayal of characters, the relationship between characters, description of time and setting, etc. [49] Further, he adapted the different stories about Majnun to fit a well-crafted Persian romantic epic.
Ghiyasuddin Azam Shah, Sultan of Bengal who jointly penned a Persian poem with Hafez; Ghiyas al-Din ibn Rashid al-Din; Shah Nimatullah Wali; Maghrebi Tabrizi; Nur Qutb Alam, Bengali religious scholar; Salman Savaji; Sharaf al-Din Ram [21] Heydar Shirazi [22] Muin al-Din Jovaini [23] Junayd Shirazi [24] Shahab al-Din Bidavoni [25] Naser Bejehie ...