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Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Jazz_walking_bass_on_double_bass.oga (Ogg Vorbis sound file, length 18 s, 64 kbps, file size: 138 KB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Jazz bass walking bass lines are traditionally played with pizzicato; jazz pizzicato technique, shown above, is different from traditional pizzicato technique. Middle C, pizzicato Play ⓘ Pizzicato ( / ˌ p ɪ t s ɪ ˈ k ɑː t oʊ / , Italian: [pittsiˈkaːto] ; translated as 'pinched', and sometimes roughly as 'plucked') [ 1 ] is a playing ...
"A walking bass line is the most common approach to jazz bass playing. The term 'walking' is used to describe the moving feeling that quarter notes create in the bass part. Just like walking with your feet, the walking bass line is one step after the other that takes you somewhere. This is an important concept to remember, the walking bass line ...
More than any other jazz bass player in history, Page is credited with developing and popularizing the "walking bass" style of playing on all four beats, a transition from the older, two-beat style. [21] "He started that 'strolling' or 'walking' bass", recalls Harry "Sweets" Edison, "going way up and then coming right on down.
"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters , adapted the song and recorded their own versions.
Carter was a member of the second Miles Davis Quintet in the mid 1960s, which also included Herbie Hancock, Wayne Shorter and drummer Tony Williams. [11] Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven, [11] and the follow-up E.S.P., the latter being the first album to feature only the full quintet.
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