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Women artisans embroidering with Patt in Rajpura, Punjab (India), 2015. The hallmark of Phulkari is, making innumerable patterns by using long and short darn stitches. There were no pattern books and embroidery was worked entirely from the reverse of the fabric. The designs were not traced.
The base material for Kashida is cotton, wool or silk in a variety of colours like white, blue, yellow, purple, red, green and black. The stitches may vary with the material to be embroidered. [7] Do - rukha'l embroidery (Chamba Kasidakari) has characteristics of its own which differentiates it from other forms of embroidery in India. [3] [4]
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Various types of embroidery patterns are used for a lehenga-style sari. Bagh, chikan, kashida, kasuti, kantha, sozni, shisha, and zardozi are some of the commonly practiced types of embroidery in the lehenga-style sari. Bagh is a special kind of embroidery done by women in Punjab to be worn during festivals and weddings.
The phulkari is folk embroidery that was typically inclusive of work in floral patterns but has taken on a larger aspect of including geometrical shapes, symbols and motifs relevant to the culture. This pattern has been worn by women for hundreds of years in very vibrant colours. The pattern is typically stitched with woven silk and colourful ...
Kantha saris" are traditionally worn by women in Bengal region. [2] In these days, embroidery is stitched, popularly known as 'kantha stitched", on sari, kurta (or panjabi) and churidar and many other garments and gaining popularity due to their aesthetic value and handmade characteristics.
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