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At the same time of this period of urbanisation and artistic thought, interior design was heavily affected too, changing nearly completely from that of the Middle Ages. The sumptuous palazzi of noblemen and the middle-classes began to be decorated with tapestries, sculptures, frescos and lavish furniture.
Italian Neoclassical furniture was loosely based on that of Louis XVI styles but was made unique by the usage of exaggeratedly shaped backs and necks which were recessed. [1] Armoires, or armadi made by the Venetians were more geometrically shaped than the Rococo ones, but were usually gilded in gold and silver, and had a few intricate details ...
Italian Rococo furniture was usually upholstered with rich and colourful fabrics, such as velvet and silk, and furniture was usually lacquered. [1] Furniture from Piedmont was typically very French in style, Lombardy produced more sober and wooden furnishings, Genoa was known for its rich fabrics and colourful styles, and Venice for its ...
Italian design refers to all forms of design in Italy, including interior design, urban design, fashion design, and architectural design. Italy is recognized as a worldwide trendsetter and leader in design. The architect Luigi Caccia Dominioni claimed, "Quite simply, we are the best.
Italian baroque furnishing also had considerable Eastern influences. [4] Venetians, who at the time still held a vast sea empire, often imported rich fabrics and materials from other nations to enrich their furniture with eastern influences. Their furniture was chiefly sumptuous and luxurious, and included rich silks and green and gold lacquer. [4]
An e-book collection of over 1,000 books on home economics spanning 1850 to 1950, created by Cornell University's Mann Library. Includes several hundred works on the furniture and interior design in this period, itemized in a specific bibliography. American Furniture in The Metropolitan Museum of Art, a fully digitized 2 volume exhibition catalog
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Italian art critic Germano Celant organized two exhibitions in 1967 and 1968, followed by an influential book called Arte Povera, promoting the notion of a revolutionary art, free of convention, the power of structure, and the market place. Although Celant attempted to encompass the radical elements of the entire international scene, the term ...