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"So Fresh, So Clean" debuted at number 71 on the US Billboard Hot 100 chart dated March 3, 2001. [2] The song eventually reached it peak at number 30 on the chart dated May 5, 2001. [ 3 ] On October 8, 2020, the single was certified platinum by the Recording Industry Association of America (RIAA) for combined sales and streaming equivalent ...
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
[7] Graham Griffith from About.com wrote that "the disco-lite 'Big Girl (You Are Beautiful),' which includes an admirable sentiment, fails to distinguish itself otherwise." [ 8 ] Liz Colville from Pitchfork said that it is "a pumping, chorus-infested jam session complete with gospel backup singers that tragically feels the need to reassure big ...
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Supersexy Swingin' Sounds is a remix album by White Zombie.It was released through Geffen Records in 1996 and was the band's final release. The album consists of remixes of tracks from their previous release, Astro Creep 2000, except "I'm Your Boogie Man" by KC and the Sunshine Band.
Don’t try to fight it—just bust out the mic and run through our roundup of the very best Disney karaoke songs for a night of family fun (and hopefully some passable singing). 72 Easy Karaoke ...
"Beautiful Girls" is the debut single by American singer Sean Kingston from his 2007 eponymous debut album; it was first released in 2007, when Kingston was 17 and is considered his "signature song". The song is about a boy who feels "suicidal" (a radio edit changes this to "in denial") over the prospect of dating a "beautiful girl" only to ...
Musically, "Hikari" is a pop folk song, as described by staff members from Japanese music magazine CD Journal. [9] Square Enix Music's Neo Locke described the song's composition and melody in an extended review: "The acoustic guitar combined with the synth in the background creates a pleasant and gentle harmony that helps bring out Utada's voice."