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Handel used four voice parts, soprano (S), alto (A), tenor (T) and bass (B) in the solo and choral movements. Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. Handel uses both polyphon and homophon settings to illustrate the text.
In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III, he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional alternate settings for many of the individual numbers. In the ...
Messiah (HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text.
The New Testament part, in the Gospel words of Jesus, are changed to the third person "Come unto Him, all ye that labour" (Matthew 11:28–29). The soprano sings the same melody, but elevated by a fourth from F major to B flat major. Handel originally wrote the entire aria for soprano solo in B flat.
Collected editions of Handel's works include the Händel-Gesellschaft (HG) and the Hallische Händel-Ausgabe (HHA), but the more recent Händel-Werke-Verzeichnis (HWV) publication is now commonly used to number his works. For example, Handel's Messiah can be referred to as: HG xlv, HHA i/17, or HWV 56. [1]
Handel's oratorio Messiah (1742) includes two well-known da capo arias, "He Was Despised" (for alto voice) and "The Trumpet Shall Sound" (for bass). J. S. Bach's cantata Jauchzet Gott in allen Landen, BWV 51 (1730) begins with a flamboyant da capo aria for soprano, trumpet soloist, and strings.
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The classic recording of George Frideric Handel's masterpiece was recorded during the Choir's 1958 concert tour and has been remastered for CD. This recording was selected by The National Recording Registry for the recorded sound section of the Library of Congress in 2004 as being "culturally, historically or aesthetically important."
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