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La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. [1] In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536.
Portrait of a Young Woman Known as "La Bella" (Spanish: Retrato de una mujer joven llamada "La Bella") is an oil painting attributed to Palma Vecchio, and dated to around 1518 to 1520, in the collection of the Thyssen-Bornemisza Museum in Madrid. It was formerly attributed to Titian.
porto la tua figura. In cor par ch'eo vi porti, pinta come parete, e non pare di fore; o Deo, co' mi par forte non so se vi savete, com' v'amo di bon core, ca son sì vergognoso ca pur vi guardo ascoso, e non vi mostro amore. Avendo gran disio dipinsi una pintura, bella, voi simigliante, e quando voi non vio guardo 'n quella figura,
Bella Figura is a contemporary ballet choreographed by Jiří Kylián to music by Lukas Foss, Giovanni Battista Pergolesi, Alessandro Marcello, Antonio Vivaldi and Giuseppe Torelli. The ballet was made for the Nederlands Dans Theater , and premiered on 12 October 1995, at AT&T Danstheater [ nl ] , The Hague.
Figura serpentinata (lit. ' serpentine figure ' ) is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism . It is similar, but not identical, to contrapposto , and features figures often in a spiral pose. [ 1 ]
The Spanish legend of la Encantada is a generic name that refers to a set of oral traditions and legends mythological narrated in numerous Spanish localities. Although there are multiple local variants, a series of elements are common: the protagonist (a young woman with long hair ), the time ( St. John's Eve ), the manifestation (combing her ...
Ecco, ridente in cielo spunta la bella aurora, e tu non sorgi ancora e puoi dormir cosi'? Sorgi, mia dolce speme, vieni, bell'idol mio; rendi men crudo, oh Dio,
The only inflectionally irregular adjectives in Spanish are those that have irregular comparative forms, and only four do. Spanish adjectives are generally postpositive, that is, they come after the noun they modify. Thus el libro largo ("the long book"), la casa grande ("the big house"), los hombres altos ("the tall men"), etc.