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The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2] It is one of Caravaggio’s more complex paintings, with four figures that were likely painted from ...
Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian ...
Dance with musicians, Tacuinum sanitatis casanatense (Lombardy, Italy, late 14th century) Sources for an understanding of dance in Europe in the Middle Ages are limited and fragmentary, being composed of some interesting depictions in paintings and illuminations, a few musical examples of what may be dances, and scattered allusions in literary texts.
Franz Theodor Kugler was the first to name and describe Carolingian art in 1837; like many art historians of the period he sought to find and promote the national spirit of his own nation in art history, a search begun by Johann Gottfried Herder in the 18th century.
During the late 13th century and early 14th century, much of the painting in Italy was Byzantine in character, notably that of Duccio of Siena and Cimabue of Florence, while Pietro Cavallini in Rome was more Gothic in style. During the 13th century, Italian sculptors began to draw inspiration not only from medieval prototypes, but also from ...
The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive one; many of the Trecento musical forms are closely related to those of the troubadours of ...
1271 – Amerus, Practica artis musicae. [5]1274 – Elias Salomo, Scientia artis musicae. [6]1279 – Anonymous of St Emmeram, De musica mensurata (Munich, Bayerische Staatsbibliothek, Cod. Lat. Mon. [Cim.] 14523), one of the two main treatises on the theory of Notre Dame polyphony.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.