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Judy Kensley McKie (born 1944) is an American artist, furniture designer, and furniture maker. She has been making her signature style of furniture with carved and embellished animal and plant motifs since 1977. [1] [2] She is based in Boston, Massachusetts.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
An exhibition, entitled The Artistic Furniture of Charles Rohlfs, [3] was organized by the Milwaukee Art Museum, Chipstone Foundation and American Decorative Art 1900 Foundation. From 2009 to 2011, the exhibition was presented at the Milwaukee Art Museum, Dallas Museum of Art, Carnegie Museum of Art , Huntington Art Collections and Metropolitan ...
Often considered to be one of the finest furniture pieces of the 19th century and an icon of Victorian furniture. There was not one dominant style of furniture in the Victorian period. Designers rather used and modified many styles taken from various time periods in history like Gothic , Tudor , Elizabethan , English Rococo , Neoclassical and ...
William Morris, 1834-1896: A Life of Art. Taschen. ISBN 9783836561631. Beecroft, Helen (2019). William Morris. Flame Tree Publishing. ISBN 978-1-78755-307-1. Fairclough, Oliver and Emmeline Leary, Textiles by William Morris and Morris & Co. 1861–1940, Birmingham Museums and Art Gallery, 1981, ISBN 0-89860-065-0
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It provided furniture for aristocratic houses, such as Tatton Hall, where some 150 extant pieces complement the work of the architect Lewis William Wyatt. [17] [18] Details of the commissions can be found in the Pattern Books in the Gillow archives. By 1897, they were over extended and formed an informal partnership with Warings of Liverpool.
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