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"Come as You Are" is an alternative rock song that lasts for a duration of three minutes and thirty-eight seconds. [2] According to the sheet music published at Musicnotes.com by BMG Rights Management, it is written in the time signature of common time, with a heavy rock tempo of 120 beats per minute. [2] "
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.
"Come as You Are" is the lead single from English singer Beverley Knight's fourth studio album, Affirmation (2004). Co-written by Guy Chambers, it was Knight's second UK top-10 hit and is her highest-charting song in the UK, peaking at number nine and remaining in the UK top 75 for 10 weeks. It also briefly charted in Germany, peaking at number ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Come as You Are: The Story of Nirvana, a book by Michael Azerrad Come as You Are (sex shop) , a Toronto-based co-operative sex shop Come as You Are: The Surprising New Science That Will Change Your Sex Life , a book by Emily Nagoski
[3]: 4 A MIDI recording of a performance on a keyboard could sound like a piano or other keyboard instrument; however, since MIDI records the messages and information about their notes and not the specific sounds, this recording could be changed to many other sounds, ranging from synthesized or sampled guitar or flute to full orchestra.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...