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Centered text is considered less readable for a body of text made up of multiple lines because the ragged starting edges make it difficult for the reader to track from one line to the next. Centered text can also be commonly found on signs, flyers, and similar documents where grabbing the attention of the reader is the main focus, or visual ...
In modern typesetting programs such as Adobe InDesign, slugs hold printing information, customized color bar information, or display other instructions and descriptions for other information in the document. Objects (including text frames) positioned in the slug area are printed but will disappear when the document is trimmed to its final page ...
Reverse layout: Include a reverse layout feature to reverse the layout of a document when converting a left-to-right document to a right-to-left one or vice versa. Complex script rendering: InDesign supports Unicode character encoding, and Middle Eastern editions support complex text layouts for Arabic and Hebrew complex scripts. The underlying ...
Note the order of precedence: first come infoboxes or images using |right, then come the floating tables, and lastly, any text wraps that can still fit. If the first word of the text is too long, no text will fit to complete the left-hand side, so beware creating a "ragged left margin" when not enough space remains for text to fit alongside ...
Example of reflowable text. A reflowable document is a type of electronic document that can adapt its presentation to the output device.Typical prepress or fixed page size output formats like PostScript or PDF are not reflowable during the actual printing process because the page is not resized.
During typesetting, individual sorts are picked from a type case with the right hand, and set from left to right into a composing stick held in the left hand, appearing to the typesetter as upside down. As seen in the photo of the composing stick, a lower case 'q' looks like a 'd', a lower case 'b' looks like a 'p', a lower case 'p' looks like ...
The high-level page layout involves deciding on the overall arrangement of text and images, and possibly on the size or shape of the medium. It requires intelligence, sentience, and creativity, and is informed by culture, psychology, and what the document authors and editors wish to communicate and emphasize.
With metric kerning, in a text that uses several fonts, the program must decide which kerning table to use when two consecutive characters belong to different fonts — the table from the font of the first character, or the second one — or to avoid kerning altogether. In this case, optical kerning is preferable.