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Early produce is described as pseudo-red-figure Etruscan vase painting, due to its differing technique. Only by the end of the 5th century was the true red-figure technique introduced to Etruria. For both pseudo- and true red-figure, numerous painters, workshops and production centres have been recognised.
However, within twenty years, experimentation had given way to specialization as seen in the vases of the Pioneer Group, whose figural work was exclusively in red-figure, though they retained the use of black-figure for some early floral ornamentation.
The Pontic Group (or Pontic vases) is a sub-style of Etruscan black-figure vase painting. Diomedes and Polyxena, Pontic amphora by the Silenus Painter, circa 540/30 BC. Paris:Louvre. Stylistically, Pontic vases are very closely related to Ionic vase painting. It is assumed, that the vases were produced in Etruria by craftsmen who had emigrated ...
Procession of men, kylix by the Triptolemos Painter, circa 480 BC. Paris: Louvre The wedding of Thetis, pyxis by the Wedding Painter, circa 470/460 BC. Paris: Louvre. Red-figure pottery (Ancient Greek: ἐρυθρόμορφα, romanized: erythrómorpha) is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the ...
Painted around 510 BCE in the red figure pottery style, the Revelers vase was found in an Etruscan tomb in Vulci, Italy. The painting is attributed to Euthymides. The vase is an amphora (a type of vessel normally used for storage), painted with two scenes: one depicts three nude partygoers, and the other the Trojan hero Hector arming for battle.
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
The Meidias Painter was an Athenian red-figure vase painter in Ancient Greece, active in the last quarter of the 5th century BCE (fl. c. 420 to c. 400 BCE). He is named after the potter whose signature is found on a large hydria of the Meidias Painter’s decoration (BM E 224), excavated from an Etruscan tomb.
The fact that Greek Southern Italy produced its own red-figure pottery as early as the end of the 5th century BC was first established by Adolf Furtwaengler in 1893 (A.D. Trendall). Prior to that this pottery had been first designated as "Etruscan" and then as "Attic."
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