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Sōtō Zen or the Sōtō school (曹洞宗, Sōtō-shū) is the largest of the three traditional sects of Zen in Japanese Buddhism (the others being Rinzai and Ōbaku).It is the Japanese line of the Chinese Cáodòng school, [1] which was founded during the Tang dynasty by Dòngshān Liánjiè.
Zen lineage charts depict the transmission of the dharma from one generation to another. They developed during the Tang dynasty , incorporating elements from Indian Buddhism and East Asian Mahayana Buddhism , [ 1 ] but were first published at the end of the Tang.
The Sandōkai (Chinese: 參同契; pinyin: Cāntóngqì) is a poem by the eighth Chinese Zen ancestor Shitou Xiqian (Sekito Kisen, 700–790) and a fundamental text of the Sōtō school of Zen, chanted daily in temples throughout the world.
Sanbo Kyodan (三宝教団, Sanbō Kyōdan, literally "Three Treasures Religious Organization") is a lay Zen school derived from both the Soto and the Rinzai traditions. It was renamed Sanbo-Zen International in 2014.
Islamic prayer beads, called Misbaha or Tasbih, usually have 100 beads (99 +1 = 100 beads in total or 33 beads read thrice and +1). Buddhists and Hindus use the Japa Mala, which usually has 108 beads, or 27 which are counted four times. Baháʼí prayer beads consist of either 95 beads or 19 beads, which are strung with the addition of five ...
At the Rochester Zen Center and its affiliated centers, the jukai ceremony involves taking the same precepts as in the Soto and White Plum traditions; however, from school to school or lineage to lineage, interpretation and translation of precepts can vary. [9] The White Plum Asanga follows the same ritual as the Japanese Soto-school.
Zenshuji follows the 2,500-year-old teachings of Gautama Buddha as passed down by Koso Dogen Zenji (1200–1253) and Taiso Keizan Zenji (1268–1325) who are recognized as the founding patriarchs of Soto Zen. The essence of Soto Zen was transmitted during the Kamakura period in Japan approximately eight hundred years ago by Dogen Zenji.
Shōbōgenzō (正法眼蔵, lit. "Treasury of the True Dharma Eye") is the title most commonly used to refer to the collection of works written in Japan by the 13th-century Buddhist monk and founder of the Sōtō Zen school, Eihei Dōgen.