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The Belém Monstrance (Portuguese: Custódia de Belém) is a significant monstrance made of gold and polychrome enamels. It is probably the most famous work by a Portuguese goldsmith, and is much-admired for its historical importance and artistic merit. [ 1 ]
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A monstrance, also known as an ostensorium (or an ostensory), [1] is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic Sacramental bread (host) during Eucharistic adoration or during the Benediction of the Blessed Sacrament.
Few documents about the Bemposta Monstrance have survived. [1]It was commissioned by Infante Peter of Portugal.In his will dictated in 1783, Infante Peter instructed Infante John, his successor over the dominion of the House of the Infantado, the appanage tied to the King's second eldest son, on "the great care he ought to take in the divine worship given to God in the Chapel of Bemposta ...
It is widely believed that a group of Jesuits ordered La Lechuga to be produced in order to hide the gemstones contained in it from Spanish Crown. The Jesuits contracted the Spaniard José de Galaz who made the monstrance, with the help of two other goldsmiths, between 1700 and 1707 for a fee of $1,100 Reales (equivalent to $100,000 USD in 1996 ...
The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.